PAPER & MEDIA DETAILS - See price list for available sizes.

 

HAHNENMUHLE - WILLIAM TURNER WATERCOLOR & PHOTO RAG PAPER
Natural white mould-made watercolour paper with 100% rag content making it highly archival. A smooth surface that is perfectly
suitable for detailed work and watercolours. This paper has been specially coated for excellent image sharpness and optimum colour
graduation. The coating also offers a very high level of water resistance.

SOMERSET ENHANCED VELVET FINE ART WATERCOLOR PAPER
Mouldmade of 100% cotton, this natural white paper yields exceptional depth of color with a velvety fine art texture. It is made by the St.
Cuthberts mill in England of 100% cotton fibers using a traditional mould machine and buffered with calcium carbonate to help protect
prints against attack by atmospheric pollutants.

MOENKOPI UNYRU JAPANESE FIBER PAPER
Translated literally as 'cloud dragon paper', Unryu is made by adding long course fibers to a wet layer of Kozo (mulberry) on the mould.
An excellent paper choice for “organic” artwork and special effects, especially when the edges are hand-torn and “float” mounted. A
highly decorative sheet which is perfect for adding depth to a print. Designed for use with archival ink jet printers, Moenkopi papers
have been treated to produce a sharp image structure while maintaining the exquisite feel expected from a Japanese Washi paper.

MUSEO SILVER RAG ARCHIVAL PHOTO PAPER
Museo Silver Rag fine art paper was designed with fiber based photo paper and a fine art photographer in mind. It has the semi-gloss
look of a traditional air dried ber print with the feel of a fine cotton paper and the image quality rivaling market leading photo quality
inkjet papers. Manufactured to archival standards, Museo Silver Rag gives exceptional print performance for both B&W and color
imaging. Made from 100% cotton, using naturally pH-neutral, well water. Museo is acid-free and is manufactured without the use of
optical brighteners. The high-quality cotton and careful manufacturing result in a lush, exceptional feel. Also useful for fine art images
that need a darker black value than one can get from matte fine art papers.

BFK RIVES FINE ART WATERCOLOR PAPER            

The world’s number one mould-made traditional printmaking paper, with more than 500 years of history and heritage is now available for the Digital Fine Art market. BFK Rives has a unique pure white tone obtained without the use of OBAs and a very specific smooth
and velvety texture. This exceptional paper is ideal for fine art prints and photographs and gives them a very prestigious aura.

 

ARCHES AQUARELLE FINE ART WATERCOLOR PAPER

The world’s Number One mould-made watercolour paper is now available for the Digital Fine Art market. Arches® Aquarelle Rag gives a unique and unrivalled character to the Fine Art reproduction of traditional artwork and photographs.  This genuine 100% rag, watercolour paper possesses the unique structure, surface texture and warm white tone that demanding artists expect from a traditional Fine Art paper.

This paper complies with the highest archival standards and is extremely age resistant.

 

CHROMATA CANVAS BY BREATHING COLOR
A textured 20.5 mil Bright White, consistent Poly Cotton Blend Matte Canvas using an acid-free, neutral pH coating. Unlike 99.9% of
available inkjet canvas products on the market today, this canvas utilizes "Chromata White" optical brightener additive-free and
Fluorescent Whitening agent-free breakthrough technology. "Chromata White" provides the most stable platform on which to print
photographs and fine art works without the metamerism issues or color shift issues inherent on other canvases. Optical Brighteners
compromise the attainment of true color, they complicate profiling accuracy, and they inevitably deteriorate and yellow over time.

Glamour™ II Veneer varnish
Preserves canvas giclees by inhibiting harmful ultraviolet light from burning out optical brightener additives and other uorescent
whitening additives, which inhibits the inkjet canvas and/or fine art paper from "yellowing". Canvas varnish protects against moisture
and abrasion and enhances prints by increasing density, which brightens the color of printed images. Gloss or semi-gloss finishes can
make blacks darker, reds deeper, and yellows brighter. If preferred, matte finish is also available. All finishes allow any artist to hand embellish
their canvas prints any way desired.

ILFORD GALERIE Smooth Gloss and Smooth Pearl Photo Papers
The Galerie media is resin coated to provide a more robust surface for longer lasting image quality. The Smooth Gloss and Smooth Pearl
Papers, use the latest microceramic coating technology, are ‘instant dry’ and can be handled immediately after printing. The Classic Pearl
and Classic Gloss Papers offer excellent reliability, superb photographic image quality and consistency Both are 11 mil thick for a
heavyweight look and feel of a real photograph - good archival properties and fade resistance.

 

1082-B Huff Rd NW • Atlanta, GA 30318 • 404.352.9779 • www.DigitalArtsStudio.net • info@DigitalArtsStudio.net